(English language)
Adams, Brooks. "Report from Lyon: Time After Time,". Art in America, No. 2, February 2006: 57-63.
Archick, Kristin. "'18.
Oktober 1977' is still timely". The Tufts Daily, January 25, 1991, pp. 5, 11.
Avgikos, Jan. “John Miller:
Metro Pictures”. Artforum, Vol. 42, No. 10, Summer 2004: 245. (ill.)
Baitz, Jon Robin.
"Painting: Urban Recollections". L.A. Reader, June 15, 1984, p. 6. (ill.)
Bankowsky, Jack. "John
Miller at Metro Pictures". East Village Eye, June 1984, p. 21.
Bankowsky, Jack. "Summer
Show at Metro Pictures". East Village Eye, September 1984, p. __.
Bannon, Anthony. "Curator
Ends Term With Variety". Buffalo Evening News, September 29, 1983, p. 144.
Bergen, Phillip. "John
Miller". Artweek, April 18, 1991, p. 14.
Bovier, Lionel and Cherix,
Christophe. “John Miller: 19-29
novembre, par e-mail, New York - Genève”.
Documents sur
l’Art,
No. 10, Winter 96/97: 118-122.
(ill.)
Bovier, Lionel. “John Miller”. Parkett, No. 57, December 1999, pp.
162-172. (ill.)
Boyd, Seren. “Homes for the
Soul”. Metro Life (January 17, 2001). (ill.)
Brooks, Liz. "Vile
Bodies". Artscribe, No. 88, September, 1991: 144.
Burnham, Scott G.
"Resistance, Rebellion and Death". The Daily Press, January 24, 1991, p. __.
(ill.)
Cembalest, Robin. "Much
Ado About 'Doodoo'". Art News, September, 1993, p. 27.
Christensen, Judith.
"'Tableaux' exhibition examines the concerns of society". The San
Diego Union,
October 18, 1988, p. __.
Christov-Bakargiev, Carolyn.
"Avant 1989". Flash Art, No. 145 (March-April, 1989): 124.
Cooper, Dennis. "John
Miller: Metro Pictures". Artforum, No. 10 (June 1988): 139. (ill.)
Corris, Michael. “Para-Cities
& Paradigms”. Art Monthly, No. 244 (March, 2001): pp. 12-13. (ill.)
Cotter, Holland. "Also of
Note". New York Times, March 24, 1995: p. C27.
Cotter, Holland. “A Show that
Could Travel In Just A Carry-On Bag”. New York Times, Arts & Leisure, December
14, 1994: pp. 44-5.
Cotter, Holland. “The Empire
Strikes Back”. The New York
Times, Arts
& Leisure, April 19, 2002: p. E36.
Curtis, Cathy. Los Angeles
Times. April
4, 1991, p. F8.
Decter, Joshua. Arts (December 1989): 99-100. (ill.)
Diederichsen, Diedrich. “A
Fan’s Notes: Diedrich Diederichsen on Mike Kelley’s Writings.” Artforum, Vol. XLI, No. 5 (January
2003): 33-34. (ill.)
Denson, G. Roger. "Wasting
It: John Miller and Andre Serrano's 'Bad Boy' Sublimations". Contemporanea,
No. 22 (November, 1991): 36-40.
(ill.)
Dersin, Julian. "The Shit
Reference," 241, No. 1 (Summer 1992): 4-6; reprinted in French in Documents, No. 1.
Drohojowska, Hunter, L.A.
Weekly, July
20-26, 1982, p. 39. (ill.)
Drohojowska, Hunter. "John
Miller at the Rosamund Felsen Gallery". L.A. Weekly, June 22-28, 1984, p. 39.
(ill.)
Dunham, Caroll. “Artists
Curate: Road Food,” Artforum, Vol. XLI, No. 2 (October 2002), p. 135 (ill.)
Evans, Steven and Michael
Jenkins. "John Miller, Gary Mirabelle and Lawrence Weiner: American Fine
Arts
Co.". Artscribe, No. 79 (January/February
1990): 81. (ill.)
Ferguson, Bruce, interview with
Robert Storr. "The Accidental
Curator". Artforum, Vol. 33, No. 2 (October 1994): 79.
Foster, Hal with Yve-Alain
Bois, Benjamin Buchloh, Dennis Hollier, Rosalind Krauss and Helen
Molesworth, “The Politics of
the Signifier II: A Converstion on the Informe and the Abject,” October, No. 67 (Winter 1994): pp.
3-21. (ill.)
Foster, Hal. “Obscene, Abject, Traumatic,” October, No. 78 (Fall 1996): p.
119.
Ganahl, Rainer. “Public Art: One-Ways and Others in
Public Space”. Zing Magazine (Winter/Spring 1996): pp. 37-73. (ill.)
Gardner, Colin. "Critic's
Choice: New Paintings by John Miller". L.A. Reader, November 1, 1985, p. 10.
(ill.)
Gardner, Colin. "John
Miller". Flash Art, No. 125 (December/January 1985): 46. (ill.)
Gillick, Liam. “Horse’s Mouth”.
Bookforum,
Volume 8, Issue 1 (Spring 2001): 17.
Gillick, Liam. “Do Ammonia Gas
Frozen Fries Go With That Shake?” Art Monthly, No. 249 (September 2001): 56.
Ginsberg, Merle. "This
Week: No Dogs Allowed". Soho Weekly News, May 20, 1981, p. 29.
Glueck, Grace. The New York Times, March 2, 1984, p. C20.
Grimes, William. "House
Votes a Cut in Money for Arts".
The New York Times, July 17, 1993, pp. 9, 14.
Hainley, Bruce. "Fecal Matters," Artforum (Summer 2001): 42. (ill.)
Halle, Howard. "Four on the Floor".
Time Out,
April 17-24, 1997, No. 82, p. 41.
Halle, Howard. "John Miller, The New Honeymooners".
Time Out,January 3-9, 2008, No.
640, p. 68. (ill.).
Halle, Howard. "John Miller,
Opposite Day". Time Out, No. 226, January 20-27, 2000, p. 87. (ill.)
Hambleton, Meryl. "Meryl Hambleton Interviews John Miller". The Eye, the Columbia Spectator,
December 6, 2007.
Hixson, Kathryn. "John
Miller: Not Just Another Teenager Defecating on Tradition". Flash Art, No. 166
(September/October 1992): 92.
Hoffberg, Judith. Umbrella, (March, 1981).
Iannaccone, Carmine. “John
Miller at Richard Telles”. Art Issues, No. 43 (Summer 1996): 44. (ill.)
Indiana, Gary. "Soho
Sketches". Village Voice, April 22, 1986, p. 93.
Jevans, Rich. “Preview: Homes
for the Soul”. The Leeds Guide (January 2001). (ill.)
Johnson, Ken. “John Miller at
Metro Pictures”. Art in America, No. 2 (February 1990): 149.
(ill.)
Johnson, Ken. “Generational
Saga”. Art in America, No. 6 (June 1991): 44-51.
(ill.)
Johnson, Ken. “John Miller”. The
New York Times, January 7, 2000, p. E43.
Johnson, Ken. “Roxy Paine”. The
New York Times, January 27, 2006, p. E33.
Kandel, Susan. "John
Miller at Roy Boyd". Art Issues, 1991: 29. (ill.)
Kandel, Susan. "A
Spectacular Brown Colors the Message," Los Angeles Times, February 18, 1994, p. F19.
Kaplan, Steven. "John
Miller, but the flesh is weak, Metro Pictures". Etc. Montreal (Spring 1991): 56-68. (ill.)
Keegan, Matt. “Top Ten,” Artforum, Vol. XLIV, No. 6 (February
2006): 98.
Kelley, Mike. "Foul
Perfection: Thoughts on Caricature," Artforum, No. 5 (January 1989): 92-99.
(ill.)
Kendrick, Neil. "Art
Against Entropy". The Daily Aztec, October 5, 1988, p. 1, 8.
Knight, Christopher.
"Focusing on the hidden meaning of 'Untitled' works". Los Angeles
Herald Examiner,
February 7, 1988, p. E2.
Knight, Christopher. "The
Pathetic Esthetic: Making Do With What Is". Los Angeles Times, August 14, 1990, p. F8.
Knight, Christopher. “When
ordinary becomes intriguing.” Los Angeles Times, April 16, 2004, p. E32.
Koether, Jutta. "John
Miller: Metro Pictures". Artforum, No. 2 (October 1992): 119. (ill.)
Koether, Jutta. “Good and
Ugly”. Artforum, Vol. 36, No. 6 (February 1998): 27.
Kuspit, Donald. "John
Miller at Metro Pictures". Artscribe International No. 58 (June-July 1986):
78-79. (ill.)
Kuspit, Donald. "The
Modern Fetish". Artforum, No. 2 (October 1988): 132-140. (ill.)
Levin, Kim.
"Choices". Village Voice, March 13, 1984, p. 62.
Levin, Kim.
"Choices". Village Voice, September 19, 1989, p. 108.
Levin, Kim.
"Choices". Village Voice, May 11, 1993, p. 75.
Levin, Kim. "The Joy of
Curating". Village Voice, February 22, 1995, p. 78.
Levin, Kim.
"Choices". Village Voice, March 21, 1995, p. 8.
Levin, Kim. “Choices”. Village
Voice,
February 9, 1999, p. 85.
Levin, Kim. “Choices”. Village
Voice, January
15, 2002, p. 84.
Levin, Kim. “Choices.” Village
Voice, April
9, 2002, p. 74.
Levin, Kim. “Shortlist.” Village
Voice, April
14, 2004, p. 59.
Lewis, James. "John
Miller: Metro Pictures". Artforum, No. 6 (February 1991): 124. (ill.)
Liss, Andrea. "Confronting
Modern Art History: the Analytical Paintings of John Miller". Artweek, November 9, 1985, p. 5.
(ill.)
Liu, Catherine. "Just
Pathetic at American Fine Arts". Artforum, No. 8 (April 1992): 95-96.
Mahoney, Robert. "John
Miller". Arts, No. 1 (February, 1991): 98. (ill.)
Masheck, Joseph. "Judy
Rifka and 'Postmodernism' in Architecture". Art in America, No. 11 (December, 1984):
148-163. (ill.)
McCoy, Pat. "(of ever ever
land i speak". Artscribe, No. 67 (January/February): 73-74.
Messler, Norbert.
"Jennifer Bolande, John Miller: Sophia Ungers". Artscribe No. 75 (May 1989): 89. (ill.)
Morgan, Robert.
"Anti-Style, or the Installation as a Pleasurable Text". Arts
Magazine (June
1988): 45-48. (ill.)
Morgan, Robert. "The
Whitney Bienniale and Other Delights". Cover, May 1995: p. 57.
Nesbitt, Lois. "Cologne,
Germany". Sculpture (January/February, 1993): 18-19.
Nickas, Robert. “John Miller:
Shit Happens.” Flash Art, Vol. 26, No. 173 (November/December 1993): pp. 94-5. (ill.)
Nickas, Robert. “Portfolio:
John Miller.” Artforum, Vol. XLII, No. 8 (April 2004): 132-7. (ill.)
O’Neill, Paul. “Men in Black.” Art
Monthly, No.
285 (April 2004): pp. 35-6.
Paseles, Chris. "John
Miller's Art: Studying the Mental Process," CalArts Today, Vol. 4, No. 6 (February
1979): centerfold.
Pincus, Robert L. "Three
Artists in Drawing Exhibit". Los Angeles Times, August 10, 1982, p. 6.
Price, Joyce. "Art turns
heads, stomachs: 'Repulsive' show revives NEA flap". Washington Times, July 6, 1993, pp. A-1, A-6.
Rabinowitz, Cay-Sophie. “John
Miller: Confronting Kitsch,” Sculpture (July/August, 1999): pp. 12-13. (ill.)
Reissman, David. "John
Miller: Metro Pictures". Artscribe, No. 86 (April 1991): 69. (ill.)
Reissman, David. "The Other
Side". Tema Celeste, No. 39 (Winter 1993): 72. (ill.)
Reissman, David. "John
Miller: The Middle of the Day". Texte zur Kunst, Vol. 5, No. 18: pp. 177-9.
(ill.)
Rian, Jeff. "John Miller
at American Fine Arts". Art in America, No. 5 (May 1988): 186-187.
(ill.)
Rian, Jeff. “Staying in the
Game: Jim Isermann, Mike Kelley, John Miller,” Flash Art, Vol. 32, No. 211
(March-April, 2000): 82-83.
(ill.)
Rostovsky, Peter. Untitled, New
York.sidewalk.com.
Russell, John,
"Sculpture," The New York Times, October 22, 1982, p. C20.
Salz, Jerry. “The
I-Don’t-Get-It Aesthetic: Coming to Terms with Art That Won’t Let Us In,” The
Village Voice, January 25, 2000, Vol. XLIV,
No. 3, p. 57. (ill.)
Schjeldahl, Peter. "Shit
and Fan," The Village Voice, December 11, 1990, p. 103. (ill.)
Schwendener, Martha. "Proof that Things Are People Too (Well Almost)", The New York Times, , May 18, 2007, p. E29. (ill.)
Slonim, Jeffrey. "In With
the Out Crowd," Artforum, Vol. 33, No. 7 (March 1995): 13.
Slyce, John. “John Miller:
Parallel Economies,” Flash Art, No. 209 (November-December 1999): 125. (ill.)
Smith, Roberta. "Screen,"
The New York Times, February 2, 1996, p. C26.
Smith, Roberta. “From the
Observatory”. The New York Times, April 12, 2002, p. E36.
Smith, Roberta. “Talk to the
Land,” The New York Times, November 11, 2005, p. E36.
Spector, Nancy. "Smart
Art". Contemporanea, No. 4 (June 1989): 94-97. (ill.)
Spector, Nancy and Steven
Evans. "Doppel Angst/Double Fear". Parkett, No. 22 (December 1989):
129-135.
Spino, Marco. "I.C.A.
Hosts Two Eclectic Exhibits". The Justice, Brandeis University, January
28, 1991, p. __.
Stange, Raimar. "For the
Belly Dancer: Richard Hoeck," Spike Art Quarterly, No. 3 (Spring 2005): 73-78.
(ill.)
Stapen, Nancy. "Mellow
'Currents' May Be ICA's Last". Boston Globe, January 24, 1991, p. 57, 62.
Ward, Frazer. "Abject
Lessons." Art and Text, 1994. (ill.)
Wilson, William. Los Angeles
Times, June 8,
1984, p. 6.
Zellen, Jody. "John Miller." Art and
Text, 1994.
(ill.)
_____. "John Miller".
The New Yorker(October 16, 2006): p. 35.
_____. "John Miller".
The New Yorker (October 28, 1991).
_____. Now Time, No. 1 (1992): 12-13.
_____. Real Life Magazine, No. 20: 9. (ill.)
_____. M/E/A/N/I/N/G, Nos. 19 & 20 (May 1996), p. 73. ( ill.)
_____. Grand Street, No. 69: 84. (ill.)
_____. “John Miller”. The
New Yorker
(January 24, 2000): p. 14.
_____. “John Miler/Pae
White/Fred Wilson,” The New Yorker (January 14, 2002): p. 17.
_____. “Galerie Barbara Weiss,
Berline, John Miller, ‘The Middle of the Day’”. Zoom, Vision Germany (2005).
(German language)
Aufferman, Verena.
"Dokumente einer uberdrehten Realitat". Frankfurter Rundschau, No. 132, June 11, 1993, p.
10. (ill.)
Avgikos, Jan. “Sommer in New
York.” Texte zur Kunst, Jahrgang 8, Heft 31: 183-186.
Babias, Marius.
"Skatologische Wunderkammer". Die Tageszeitung, July 16, 1994, p. 25.
Babias, Marius.
"Blumenkinder -- Die Konstruktion des Wirklichen: Fotos von Aura Rosenberg
und John
Miller". Zitty
Stadtzeitung,
No. 16, August 4-17, 1994, p. 54. (ill.)
Babias, Marius. trans. Barbara Jung. “Das rebellischste, was wir je gemacht haben, war abends
rumzulaufen
und die Kuelerverzierungen von
Luxuslimousines abzureissen”. Kunst-Bulletin, No. 5, May 1996,
pp. 10-15. (ill.); abridged as
“Jeder kann es,” Zitty Illustrierte Stadtzeitung, No. 13, June 20 - July 3, pp. 68-70. (ill.);
excerpted as “Heil Hitler! Have a
Nice Day!,” Jungle World, No. 5, January 29, pp. 15-18 (ill.).
Bals, Ulrike. “Der Mensch hat
Dreck am Stecken”. Die Tageszeitung, December 1999. (ill.)
Balthaus, Fritz. "Das
asthetische Feld". Arte Factum (December 1992 - February 1993): pp. 21-24.
Behr, Martin. “Vom Western bis in den Osten”. Salzburger Nachrichten, Kultur, p. 15.
Behrens, Katja. "Star der
New Yorker Szene". Kolner Stadtanzeiger, June 23, 1992, p. __. (ill.)
Berg, Henning.
“Metropolenalltag: Schappschüsse von John Miller”. Berliner Morgenpost, July 28, 2005, p. 20. (ill.)
Berg, Ronald. “Am Ende lockt
doch immer nur der Gewinn”. Der Tagesspiegel, No. 16,775, August 7, 1999,
p. 28. (ill.)
Blomberg, Katja. "Von
uberraschenden Ausmassen". Aachener Volkszeitung, December 12, 1994.
Bohm, Andrea. "Schmutz,
Schund, Kunst". der Tageszeitung, Kultur, August 21, 1993, p. 15.
Büsing, Nicole & Klaas,
Heiko. “Plünderung der Kunstgeschichte”. Kieler Nachrichten, December 8, 1999. (ill.)
Büsing, Nicole & Klaas,
Heiko. “Sarkastischer Abgesang: Hamburg zeigt John Millers ‘Parallel
Economies’”.
Neue Osnabrücker Zeitung, January 5, 2000.
Clewing, Ulrich. “Kreuzberger Naechte sind lang”. Zitty Stadtzeitung, Vol. 19, No. 12: 84.
Conrads, Martin. “Bilder des
Mülleniums”. Zitty Stadtzeitung, Vol. 22, No. 16: 56-57. (ill.)
Czoppan, Gabbi.
"Professionelle Besessenheit". Focus, No. 49, December 12, 1994,
pp. 134-137. (ill.)
David, Thomas. "Praparierte Nattern," Szene, January 1995. (ill.)
Dusini, Matthias. "Hallo,
Dienstman". Falter, No. 20/05, 20-25 Mai, 2005: pp. 68-9. (ill.)
Ertl, Barbara. “Mythos der Prärie”. _____, Kultur, April 5, 1998, p. 21. (ill.)
Fleck, Robert.
"Spielholle: Asthetik und Gewalt," Rogue, No. 17: 17-32. (ill.)
Forstbauer, Nikolai B.
"Modell-Veranderungen". Suddeutsche Zeitung. (ill.)
Fricke, Harald. "Jenseits von Gut und Bose: John
Miller bei Bruno Brummet (sic) Fine Arts und in der
DAAD-Galerie". Die Tageszeitung, April 23, 1992, p. 27. (ill.)
Fricke, Harald. "Mal was
anderes im Kunstlerhaus Bethanien". Die Tageszeitung, August 21, 1993, p. 36.
Fricke, Harald. "Freunde
finden: Kommunikabel: 'temporary translations(s)', die Sammlung Schürmann in
Hamburgs
Deichtorhallen". Die
Tageszeitung,
December 13, 1994, pp. 17-18. (ill.)
Fricke, Harald. "Kleine
Krieger: Kunst in Berlin jetz: Miller, Metzel, Rheinsberg, Rohloff," Wand
und
Boden, Kultur, Tageszeitung
Berlin, June
3-4, 1995: p. 28.
Fricke, Harald. “Dickenbilder in 3D: Kunst in Berlin
jetzt: Matthias Kühnels, ‘Photographie?’
‘Holographic
Network,’ John
Miller”. Wand und Boden, Die
Tageszeitung,
August 31-September 1, 1996, p.
38.
Frommeyer, Marlis.
"Gegenwartskunst auf dem Prufstand". Lubecker Nachrichten, December 13, 1994. (ill.)
G.D. "Frankenstein in den
Deichtorhallen". Bild Hamburg, December 10, 1994. (ill.)
Germer, Stefan. “Vorsicht,
Frisch Gestrichen. Thesen zu
Älteren und Neueren Medien,” Texte zur Kunst,
Jahrgang 8, Heft 31: 60-65.
(ill.)
Graw, Isabelle.
"Kunstkritiker als Kunstler: Thomas Lawson, John Miller, Ronald
Jones". Artis (April 1989): 50-53. (ill.)
Graw, Isabelle. “Das Braun des
Himmels”. Die Tageszeitung August 31, 1999: 15. (ill.)
Haase, Amine. “Von Zwergen und
Künstlern: Noch immer sucht Berlins Kunstmesse ihren Weg – Ein Platz
für die Jungen,” Kölner
Stadt-Anzeiger, October 1, 1999.
Hafner, Hans-Jürgen. “Reizende
Renitenz,” Artnet, November 7, 2005: http://www.artnet.de/magazine/kommentar/hafner/hafner11-07-05.asp.
Hamacher, Stephan. "Wege
voller Stolpersteine". Bergdorfer Zeitung, December 10, 1994. (ill.)
Herbstreuth, Peter.
"Banalitaten des Alltags", Der Tagesspiegel, Kunst & Markt, July 15,
1995: p. 21.
Herold, Thea. "Benjamin in
der Mulackei". Der Tagesspiegel, Feuilleton, July 8, 1992, p. 15.
Hertin, Katja. "Riviera
oder Supermarkt". Der Tagesspiegel, December 11, 1995, p. 12. (ill.)
Hess, Barbara. “Artists &
Photographs: Künstburo”. Camera Austria International, Nos. 59/60, November, 1997,
pp. 136-7. (ill.)
Hess, Barbara. “Ein
Amerikanisches Trauerspeil”. Texte zur Kunst, Vol. _, No. _: pp. 224-226.
(ill.)
Hofmann, Isabelle. “Welt in
Braun: John Miller über Kitsch und Kunst”. Kunstzeitung, No. 41, January 2000, p. 20
(ill.)
Hoffmann, Justin. "Suture
-- Phantasmen der vollkommenheit". Kunstforum International, Vol. 127,
July-September 1994: pp.
315-318. (ill.)
Hüster, Wiebke. “Mann sucht
Frau sucht Mann, Sesselsoziologe: John Miller in der Berliner Galerie Barbara
Weiss”. Frankfurter
Allgemeine Zeitung, August 4, 2001, p. 54.
(ill.)
Hüster, Wiebke. "Mittags
ist die Kunstwelt nicht mehr in Ordnung: Berliner Galerien zeigen Arbeiten von
John Miller, Manfred
Kuttner und jungen abstrakten Malern." Frankfurter Allgemeine Zeitung, August 6,
2005, p. 46. (ill.)
J., M., “Galerie Barbara Weiss,
12 Uhr mittags: Mahlzeit, oder?” TAZ-Berlin, July 6, 2005, p. 28. (ill.)
Jahn, Wolf. “Besonderer Stoff:
John Miller im Kunstverein”. Szene Hamburg, December 1999. (ill.)
Jahn, Wolf. “Sigmund Freud m
Wilden Westen”. Die Museen, Beilage des Hamburger Abendblatts, December 1999 - March 2000 (ill.)
Joseph, Branden W."Informationsavatare,". Texte zur Kunst
, Vol. 16, No. 64 (December 2006): pp. 196-200. (ill.)
Koether, Jutta. "John
Miller in New York". Texte zur Kunst, No. 2, (Spring 1991): 169-70. (ill.)
Koether, Jutta. “Art as
Americana! Americana as Art!” Spex, No. 5 (May 1999): pp. 50-51. (ill.)
Koniger, Maribel. "Le Bon,
la Brute et le Truand...". Kunstforum International, No. 123: 374-5. (ill.)
Kravagna, Christian.
"Phantasmen der Vollkommenheit: Suture - im Salzburger Kunstverein". Texte
zur Kunst,
Vol. 4, No. 15: 204-207. (ill.)
Kreis, Elfi. "Ausflug in
die Privatsphare". Der Tagespiegel, No. 14995, August 8, 1994, p. 10.
Krone, Lothar. “Immer neue
Normalitäten”. Märkische Allgemeine Zeitung, February 13, 2002. (ill.)