JOHN MILLER


Exhibitions  

1980-1985

1986-1989

1990-1995

1996-1999

2000-2005

2006-Present


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Publications
Collaborations

Bio/Bibliography
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© 2005-2008

Born 1954, Cleveland, Ohio, lives and works in New York City and Berlin. Attended Rhode Island School of Design, Providence, Rhode Island, 1977, BFA; Whitney Museum of American Art Independent Study Program, New York, 1978; California Institute of the Arts, Valencia, California, 1979, MFA



Solo Exhibitions | Group Exhibitions | Periodicals | Catalogs

 

(English language)

 

Adams, Brooks. "Report from Lyon: Time After Time,". Art in America, No. 2, February 2006: 57-63.

 

Archick, Kristin. "'18. Oktober 1977' is still timely". The Tufts Daily, January 25, 1991, pp. 5, 11.

 

Avgikos, Jan. “John Miller: Metro Pictures”. Artforum, Vol. 42, No. 10, Summer 2004: 245. (ill.)

 

Baitz, Jon Robin. "Painting: Urban Recollections". L.A. Reader, June 15, 1984, p. 6. (ill.)

 

Bankowsky, Jack. "John Miller at Metro Pictures". East Village Eye, June 1984, p. 21.

 

Bankowsky, Jack. "Summer Show at Metro Pictures". East Village Eye, September 1984, p. __.

 

Bannon, Anthony. "Curator Ends Term With Variety". Buffalo Evening News, September 29, 1983, p. 144.

 

Bergen, Phillip. "John Miller". Artweek, April 18, 1991, p. 14.

 

Bovier, Lionel and Cherix, Christophe.  “John Miller: 19-29 novembre, par e-mail, New York - Genève”. 

         Documents sur l’Art, No.  10,  Winter 96/97: 118-122.  (ill.)

 

Bovier, Lionel. “John Miller”. Parkett, No. 57, December 1999, pp. 162-172. (ill.)

 

Boyd, Seren. “Homes for the Soul”. Metro Life (January 17, 2001). (ill.)

 

Brooks, Liz. "Vile Bodies". Artscribe, No. 88, September, 1991: 144.

        

Burnham, Scott G. "Resistance, Rebellion and Death". The Daily Press, January 24, 1991, p. __. (ill.)

 

Cembalest, Robin. "Much Ado About 'Doodoo'". Art News, September, 1993, p. 27.

 

Christensen, Judith. "'Tableaux' exhibition examines the concerns of society". The San Diego Union, October 18, 1988, p. __.

 

Christov-Bakargiev, Carolyn. "Avant 1989". Flash Art, No. 145 (March-April, 1989): 124.

 

Cooper, Dennis. "John Miller: Metro Pictures". Artforum, No. 10 (June 1988): 139. (ill.)

 

Corris, Michael. “Para-Cities & Paradigms”. Art Monthly, No. 244 (March, 2001): pp. 12-13. (ill.)

 

Cotter, Holland. "Also of Note". New York Times, March 24, 1995: p. C27.

 

Cotter, Holland. “A Show that Could Travel In Just A Carry-On Bag”. New York Times, Arts & Leisure, December 14, 1994: pp. 44-5.

 

Cotter, Holland. “The Empire Strikes Back”.  The New York Times, Arts & Leisure, April 19, 2002: p. E36.

 

Curtis, Cathy. Los Angeles Times. April 4, 1991, p. F8.

 

Decter, Joshua. Arts (December 1989): 99-100. (ill.)

 

Diederichsen, Diedrich. “A Fan’s Notes: Diedrich Diederichsen on Mike Kelley’s Writings.” Artforum, Vol. XLI, No. 5 (January 2003): 33-34. (ill.)

 

Denson, G. Roger. "Wasting It: John Miller and Andre Serrano's 'Bad Boy' Sublimations". Contemporanea,

No. 22 (November, 1991): 36-40. (ill.)

 

Dersin, Julian. "The Shit Reference," 241, No. 1 (Summer 1992): 4-6; reprinted in French in Documents, No. 1.

 

Drohojowska, Hunter, L.A. Weekly, July 20-26, 1982, p. 39. (ill.)

 

Drohojowska, Hunter. "John Miller at the Rosamund Felsen Gallery". L.A. Weekly, June 22-28, 1984, p. 39. (ill.)

 

Dunham, Caroll. “Artists Curate: Road Food,” Artforum, Vol. XLI, No. 2 (October 2002), p. 135 (ill.)

 

Evans, Steven and Michael Jenkins. "John Miller, Gary Mirabelle and Lawrence Weiner: American Fine Arts

Co.". Artscribe, No. 79 (January/February 1990): 81. (ill.)

 

Ferguson, Bruce, interview with Robert Storr.  "The Accidental Curator". Artforum, Vol. 33, No. 2 (October 1994): 79.

 

Foster, Hal with Yve-Alain Bois, Benjamin Buchloh, Dennis Hollier, Rosalind Krauss and Helen

Molesworth, “The Politics of the Signifier II: A Converstion on the Informe and the Abject,” October, No. 67 (Winter 1994): pp. 3-21. (ill.)

 

Foster, Hal.  “Obscene, Abject, Traumatic,” October, No.  78 (Fall 1996): p.  119.

 

Ganahl, Rainer.  “Public Art: One-Ways and Others in Public Space”.  Zing Magazine (Winter/Spring 1996): pp.  37-73.  (ill.)

 

Gardner, Colin. "Critic's Choice: New Paintings by John Miller". L.A. Reader, November 1, 1985, p. 10. (ill.)

 

Gardner, Colin. "John Miller". Flash Art, No. 125 (December/January 1985): 46. (ill.)

 

Gillick, Liam. “Horse’s Mouth”. Bookforum, Volume 8, Issue 1 (Spring 2001): 17.

 

Gillick, Liam. “Do Ammonia Gas Frozen Fries Go With That Shake?” Art Monthly, No. 249 (September 2001): 56.

 

Ginsberg, Merle. "This Week: No Dogs Allowed". Soho Weekly News, May 20, 1981, p. 29.

 

Glueck, Grace.  The New York Times, March 2, 1984, p. C20.

 

Grimes, William. "House Votes a Cut in Money for Arts".  The New York Times, July 17, 1993, pp. 9, 14.

 

Hainley, Bruce. "Fecal Matters," Artforum (Summer 2001): 42. (ill.)

 

Halle, Howard.  "Four on the Floor".   Time Out, April 17-24, 1997, No.  82, p.  41.

 

Halle, Howard.  "John Miller, The New Honeymooners".   Time Out,January 3-9, 2008, No.   640, p.  68. (ill.).

 

Halle, Howard. "John Miller, Opposite Day". Time Out, No. 226, January 20-27, 2000, p. 87. (ill.)

 

Hambleton, Meryl. "Meryl Hambleton Interviews John Miller". The Eye, the Columbia Spectator, December 6, 2007.

 

Hixson, Kathryn. "John Miller: Not Just Another Teenager Defecating on Tradition". Flash Art, No. 166

(September/October 1992): 92.


Hoffberg, Judith. Umbrella, (March, 1981).

 

Iannaccone, Carmine. “John Miller at Richard Telles”. Art Issues, No. 43 (Summer 1996): 44. (ill.)

 

Indiana, Gary. "Soho Sketches". Village Voice, April 22, 1986, p. 93.

 

Jevans, Rich. “Preview: Homes for the Soul”. The Leeds Guide (January 2001). (ill.)

 

Johnson, Ken. “John Miller at Metro Pictures”.  Art in America, No. 2 (February 1990): 149. (ill.)

 

Johnson, Ken. “Generational Saga”.  Art in America, No. 6 (June 1991): 44-51. (ill.)

 

Johnson, Ken. “John Miller”. The New York Times, January 7, 2000, p. E43.

 

Johnson, Ken. “Roxy Paine”. The New York Times, January 27, 2006, p. E33.

 

Kandel, Susan. "John Miller at Roy Boyd". Art Issues, 1991: 29. (ill.)

 

Kandel, Susan. "A Spectacular Brown Colors the Message," Los Angeles Times, February 18, 1994, p. F19.

 

Kaplan, Steven. "John Miller, but the flesh is weak, Metro Pictures". Etc. Montreal (Spring 1991): 56-68. (ill.)

 

Keegan, Matt. “Top Ten,” Artforum, Vol. XLIV, No. 6 (February 2006): 98.

 

Kelley, Mike. "Foul Perfection: Thoughts on Caricature," Artforum, No. 5 (January 1989): 92-99. (ill.)

 

Kendrick, Neil. "Art Against Entropy". The Daily Aztec, October 5, 1988, p. 1, 8.

 

Knight, Christopher. "Focusing on the hidden meaning of 'Untitled' works". Los Angeles Herald Examiner,

February 7, 1988, p. E2.

 

Knight, Christopher. "The Pathetic Esthetic: Making Do With What Is". Los Angeles Times, August 14, 1990, p. F8.

 

Knight, Christopher. “When ordinary becomes intriguing.” Los Angeles Times, April 16, 2004, p. E32.

 

Koether, Jutta. "John Miller: Metro Pictures". Artforum, No. 2 (October 1992): 119. (ill.)

 

Koether, Jutta. “Good and Ugly”. Artforum, Vol. 36, No. 6 (February 1998): 27.

 

Kuspit, Donald. "John Miller at Metro Pictures". Artscribe International No. 58 (June-July 1986): 78-79. (ill.)

 

Kuspit, Donald. "The Modern Fetish". Artforum, No. 2 (October 1988): 132-140. (ill.)

 

Levin, Kim. "Choices". Village Voice, March 13, 1984, p. 62.

 

Levin, Kim. "Choices". Village Voice, September 19, 1989, p. 108.

 

Levin, Kim. "Choices". Village Voice, May 11, 1993, p. 75.

 

Levin, Kim. "The Joy of Curating". Village Voice, February 22, 1995, p. 78.

 

Levin, Kim. "Choices". Village Voice, March 21, 1995, p. 8.

 

Levin, Kim. “Choices”. Village Voice, February 9, 1999, p. 85.

 

Levin, Kim. “Choices”. Village Voice, January 15, 2002, p. 84.

 

Levin, Kim. “Choices.” Village Voice, April 9, 2002, p. 74.

 

Levin, Kim. “Shortlist.” Village Voice, April 14, 2004, p. 59.

 

Lewis, James. "John Miller: Metro Pictures". Artforum, No. 6 (February 1991): 124. (ill.)

 

Liss, Andrea. "Confronting Modern Art History: the Analytical Paintings of John Miller". Artweek, November 9, 1985, p. 5. (ill.)

 

Liu, Catherine. "Just Pathetic at American Fine Arts". Artforum, No. 8 (April 1992): 95-96.

 

Mahoney, Robert. "John Miller". Arts, No. 1 (February, 1991): 98. (ill.)

 

Masheck, Joseph. "Judy Rifka and 'Postmodernism' in Architecture". Art in America, No. 11 (December, 1984): 148-163. (ill.)

 

McCoy, Pat. "(of ever ever land i speak". Artscribe, No. 67 (January/February): 73-74.

 

Messler, Norbert. "Jennifer Bolande, John Miller: Sophia Ungers". Artscribe No. 75 (May 1989): 89. (ill.)

 

Morgan, Robert. "Anti-Style, or the Installation as a Pleasurable Text". Arts Magazine (June 1988): 45-48. (ill.)

 

Morgan, Robert. "The Whitney Bienniale and Other Delights". Cover, May 1995: p. 57.

 

Nesbitt, Lois. "Cologne, Germany". Sculpture (January/February, 1993): 18-19.

 

Nickas, Robert. “John Miller: Shit Happens.” Flash Art, Vol. 26, No. 173 (November/December 1993): pp. 94-5. (ill.)

 

Nickas, Robert. “Portfolio: John Miller.” Artforum, Vol. XLII, No. 8 (April 2004): 132-7. (ill.)

 

O’Neill, Paul. “Men in Black.” Art Monthly, No. 285 (April 2004): pp. 35-6.

 

Paseles, Chris. "John Miller's Art: Studying the Mental Process," CalArts Today, Vol. 4, No. 6 (February 1979): centerfold.

 

Pincus, Robert L. "Three Artists in Drawing Exhibit". Los Angeles Times, August 10, 1982, p. 6.

 

Price, Joyce. "Art turns heads, stomachs: 'Repulsive' show revives NEA flap". Washington Times, July 6, 1993, pp. A-1, A-6.

 

Rabinowitz, Cay-Sophie. “John Miller: Confronting Kitsch,” Sculpture (July/August, 1999): pp. 12-13. (ill.)

 

Reissman, David. "John Miller: Metro Pictures". Artscribe, No. 86 (April 1991): 69. (ill.)

 

Reissman, David. "The Other Side". Tema Celeste, No. 39 (Winter 1993): 72. (ill.)

 

Reissman, David. "John Miller: The Middle of the Day". Texte zur Kunst, Vol. 5, No. 18: pp. 177-9. (ill.)

 

Rian, Jeff. "John Miller at American Fine Arts". Art in America, No. 5 (May 1988): 186-187. (ill.)

 

Rian, Jeff. “Staying in the Game: Jim Isermann, Mike Kelley, John Miller,” Flash Art, Vol. 32, No. 211

(March-April, 2000): 82-83. (ill.)

 

Rostovsky, Peter. Untitled, New York.sidewalk.com.

 

Russell, John, "Sculpture," The New York Times, October 22, 1982, p. C20.

 

Salz, Jerry. “The I-Don’t-Get-It Aesthetic: Coming to Terms with Art That Won’t Let Us In,” The Village Voice, January 25, 2000, Vol. XLIV, No. 3, p. 57. (ill.)

 

Schjeldahl, Peter. "Shit and Fan," The Village Voice, December 11, 1990, p. 103. (ill.)

 

Schwendener, Martha. "Proof that Things Are People Too (Well Almost)", The New York Times, , May 18, 2007, p. E29. (ill.)

 

Slonim, Jeffrey. "In With the Out Crowd," Artforum, Vol. 33, No. 7 (March 1995): 13.

 

Slyce, John. “John Miller: Parallel Economies,” Flash Art, No. 209 (November-December 1999): 125. (ill.)

 

Smith, Roberta. "Screen," The New York Times, February 2, 1996, p. C26.

 

Smith, Roberta. “From the Observatory”. The New York Times, April 12, 2002, p. E36.

 

Smith, Roberta. “Talk to the Land,” The New York Times, November 11, 2005, p. E36.

 

Spector, Nancy. "Smart Art". Contemporanea, No. 4 (June 1989): 94-97. (ill.)

 

Spector, Nancy and Steven Evans. "Doppel Angst/Double Fear". Parkett, No. 22 (December 1989): 129-135.

 

Spino, Marco. "I.C.A. Hosts Two Eclectic Exhibits". The Justice, Brandeis University, January 28, 1991, p. __.

 

Stange, Raimar. "For the Belly Dancer: Richard Hoeck," Spike Art Quarterly, No. 3 (Spring 2005): 73-78. (ill.)

 

Stapen, Nancy. "Mellow 'Currents' May Be ICA's Last". Boston Globe, January 24, 1991, p. 57, 62.

 

Ward, Frazer. "Abject Lessons." Art and Text, 1994. (ill.)

 

Wilson, William. Los Angeles Times, June 8, 1984, p. 6.

 

Zellen, Jody.  "John Miller." Art and Text, 1994. (ill.)

 

_____. "John Miller". The New Yorker(October 16, 2006): p. 35.

 

_____. "John Miller". The New Yorker (October 28, 1991).

 

_____. Now Time, No. 1 (1992): 12-13.

 

_____. Real Life Magazine, No. 20: 9. (ill.)

 

_____.  M/E/A/N/I/N/G, Nos.  19 & 20 (May 1996), p.  73. ( ill.)

 

_____.  Grand Street, No. 69:  84. (ill.)

 

_____. “John Miller”. The New Yorker (January 24, 2000): p. 14.

 

_____. “John Miler/Pae White/Fred Wilson,” The New Yorker (January 14, 2002): p. 17.

 

_____. “Galerie Barbara Weiss, Berline, John Miller, ‘The Middle of the Day’”. Zoom, Vision Germany (2005).

 

 

 (German language)

 

Aufferman, Verena. "Dokumente einer uberdrehten Realitat". Frankfurter Rundschau, No. 132, June 11, 1993, p. 10. (ill.)

 

Avgikos, Jan. “Sommer in New York.” Texte zur Kunst, Jahrgang 8, Heft 31: 183-186.

 

Babias, Marius. "Skatologische Wunderkammer". Die Tageszeitung, July 16, 1994, p. 25.

 

Babias, Marius. "Blumenkinder -- Die Konstruktion des Wirklichen: Fotos von Aura Rosenberg und John

Miller". Zitty Stadtzeitung, No. 16, August 4-17, 1994, p. 54. (ill.)

 

Babias, Marius. trans.  Barbara Jung.  “Das rebellischste, was wir je gemacht haben, war abends rumzulaufen

und die Kuelerverzierungen von Luxuslimousines abzureissen”.  Kunst-Bulletin, No.  5,  May 1996, pp. 10-15.  (ill.); abridged as “Jeder kann es,” Zitty Illustrierte Stadtzeitung, No.  13, June 20 - July 3, pp.  68-70.  (ill.); excerpted as “Heil Hitler!  Have a Nice Day!,” Jungle World, No.  5, January 29, pp.  15-18 (ill.).

 

Bals, Ulrike. “Der Mensch hat Dreck am Stecken”. Die Tageszeitung, December 1999. (ill.)

 

Balthaus, Fritz. "Das asthetische Feld". Arte Factum (December 1992 - February 1993): pp. 21-24.

 

Behr, Martin.  “Vom Western bis in den Osten”.  Salzburger Nachrichten, Kultur, p. 15.

 

Behrens, Katja. "Star der New Yorker Szene". Kolner Stadtanzeiger, June 23, 1992, p. __. (ill.)

 

Berg, Henning. “Metropolenalltag: Schappschüsse von John Miller”. Berliner Morgenpost, July 28, 2005, p. 20. (ill.)

 

Berg, Ronald. “Am Ende lockt doch immer nur der Gewinn”. Der Tagesspiegel, No. 16,775, August 7, 1999, p. 28. (ill.)

 

Blomberg, Katja. "Von uberraschenden Ausmassen". Aachener Volkszeitung, December 12, 1994.

 

Bohm, Andrea. "Schmutz, Schund, Kunst". der Tageszeitung, Kultur, August 21, 1993, p. 15.

 

Büsing, Nicole & Klaas, Heiko. “Plünderung der Kunstgeschichte”. Kieler Nachrichten, December 8, 1999. (ill.)

 

Büsing, Nicole & Klaas, Heiko. “Sarkastischer Abgesang: Hamburg zeigt John Millers ‘Parallel Economies’”.

Neue Osnabrücker Zeitung, January 5, 2000.

 

Clewing, Ulrich.  “Kreuzberger Naechte sind lang”.  Zitty Stadtzeitung, Vol.  19, No. 12: 84.

 

Conrads, Martin. “Bilder des Mülleniums”. Zitty Stadtzeitung, Vol. 22, No. 16: 56-57. (ill.)

 

Czoppan, Gabbi. "Professionelle Besessenheit". Focus, No. 49, December 12, 1994, pp. 134-137. (ill.)

 

David, Thomas.  "Praparierte Nattern," Szene, January 1995. (ill.)

 

Dusini, Matthias. "Hallo, Dienstman". Falter, No. 20/05, 20-25 Mai, 2005: pp. 68-9. (ill.)

 

Ertl, Barbara.  “Mythos der Prärie”. _____, Kultur, April 5, 1998, p.  21. (ill.)

 

Fleck, Robert. "Spielholle: Asthetik und Gewalt," Rogue, No. 17: 17-32. (ill.)

 

Forstbauer, Nikolai B. "Modell-Veranderungen". Suddeutsche Zeitung. (ill.)

 

Fricke, Harald.  "Jenseits von Gut und Bose: John Miller bei Bruno Brummet (sic) Fine Arts und in der

DAAD-Galerie".  Die Tageszeitung, April 23, 1992, p. 27. (ill.)

 

Fricke, Harald. "Mal was anderes im Kunstlerhaus Bethanien". Die Tageszeitung, August 21, 1993, p. 36.

 

Fricke, Harald. "Freunde finden: Kommunikabel: 'temporary translations(s)', die Sammlung Schürmann in

Hamburgs Deichtorhallen".  Die Tageszeitung, December 13, 1994, pp. 17-18. (ill.)

 

Fricke, Harald. "Kleine Krieger: Kunst in Berlin jetz: Miller, Metzel, Rheinsberg, Rohloff," Wand und

         Boden, Kultur, Tageszeitung Berlin, June 3-4, 1995: p. 28.

 

Fricke, Harald.  “Dickenbilder in 3D: Kunst in Berlin jetzt: Matthias Kühnels, ‘Photographie?’  ‘Holographic

         Network,’ John Miller”.  Wand und Boden, Die Tageszeitung, August 31-September 1, 1996, p.  38.

 

Frommeyer, Marlis. "Gegenwartskunst auf dem Prufstand". Lubecker Nachrichten, December 13, 1994. (ill.)

 

G.D. "Frankenstein in den Deichtorhallen". Bild Hamburg, December 10, 1994. (ill.)

 

Germer, Stefan. “Vorsicht, Frisch Gestrichen.  Thesen zu Älteren und Neueren Medien,” Texte zur Kunst,

Jahrgang 8, Heft 31: 60-65. (ill.)

 

Graw, Isabelle. "Kunstkritiker als Kunstler: Thomas Lawson, John Miller, Ronald Jones". Artis (April 1989): 50-53. (ill.)

 

Graw, Isabelle. “Das Braun des Himmels”. Die Tageszeitung August 31, 1999: 15. (ill.)

 

Haase, Amine. “Von Zwergen und Künstlern: Noch immer sucht Berlins Kunstmesse ihren Weg – Ein Platz

für die Jungen,” Kölner Stadt-Anzeiger, October 1, 1999.

 

Hafner, Hans-Jürgen. “Reizende Renitenz,” Artnet, November 7, 2005:            http://www.artnet.de/magazine/kommentar/hafner/hafner11-07-05.asp.

 

Hamacher, Stephan. "Wege voller Stolpersteine". Bergdorfer Zeitung, December 10, 1994. (ill.)

 

Herbstreuth, Peter. "Banalitaten des Alltags", Der Tagesspiegel, Kunst & Markt, July 15, 1995: p. 21.

 

Herold, Thea. "Benjamin in der Mulackei". Der Tagesspiegel, Feuilleton, July 8, 1992, p. 15.

 

Hertin, Katja. "Riviera oder Supermarkt". Der Tagesspiegel, December 11, 1995, p. 12. (ill.)

 

Hess, Barbara. “Artists & Photographs: Künstburo”. Camera Austria International, Nos. 59/60, November, 1997, pp. 136-7. (ill.)

 

Hess, Barbara. “Ein Amerikanisches Trauerspeil”. Texte zur Kunst, Vol. _, No. _: pp. 224-226. (ill.)

 

Hofmann, Isabelle. “Welt in Braun: John Miller über Kitsch und Kunst”. Kunstzeitung, No. 41, January 2000, p. 20 (ill.)

 

Hoffmann, Justin. "Suture -- Phantasmen der vollkommenheit". Kunstforum International, Vol. 127,

July-September 1994: pp. 315-318. (ill.)

 

Hüster, Wiebke. “Mann sucht Frau sucht Mann, Sesselsoziologe: John Miller in der Berliner Galerie Barbara

Weiss”. Frankfurter Allgemeine Zeitung, August 4, 2001, p. 54.  (ill.)

 

Hüster, Wiebke. "Mittags ist die Kunstwelt nicht mehr in Ordnung: Berliner Galerien zeigen Arbeiten von

         John Miller, Manfred Kuttner und jungen abstrakten Malern." Frankfurter Allgemeine Zeitung, August 6,

         2005, p. 46.  (ill.)

 

J., M., “Galerie Barbara Weiss, 12 Uhr mittags: Mahlzeit, oder?” TAZ-Berlin, July 6, 2005, p. 28. (ill.)

 

Jahn, Wolf. “Besonderer Stoff: John Miller im Kunstverein”. Szene Hamburg, December 1999. (ill.)

 

Jahn, Wolf. “Sigmund Freud m Wilden Westen”. Die Museen, Beilage des Hamburger Abendblatts, December 1999 - March 2000 (ill.)

 

Joseph, Branden W."Informationsavatare,". Texte zur Kunst , Vol. 16, No. 64 (December 2006): pp. 196-200. (ill.)

 

Koether, Jutta. "John Miller in New York". Texte zur Kunst, No. 2, (Spring 1991): 169-70. (ill.)

 

Koether, Jutta. “Art as Americana! Americana as Art!” Spex, No. 5 (May 1999): pp. 50-51. (ill.)

 

Koniger, Maribel. "Le Bon, la Brute et le Truand...". Kunstforum International, No. 123: 374-5. (ill.)

 

Kravagna, Christian. "Phantasmen der Vollkommenheit: Suture - im Salzburger Kunstverein". Texte zur Kunst, Vol. 4, No. 15: 204-207. (ill.)

 

Kreis, Elfi. "Ausflug in die Privatsphare". Der Tagespiegel, No. 14995, August 8, 1994, p. 10.

 

Krone, Lothar. “Immer neue Normalitäten”. Märkische Allgemeine Zeitung, February 13, 2002. (ill.)