JOHN MILLER Exhibitions   1980-1985 1986-1989 1990-1995 1996-1999 2000-2005 2006-Present Essays Publications Collaborations Bio/Bibliography Contact Return to Index About this site © 2005-2008 2004   I've been listening to depressing music lately. Maybe because I'm depressed. (Geneva: Cabinet des Estampes.) 2001   When Down Is Up: Selected Writings, trans. Thomas Atzert (Frankfurt-am-Main: Revolver Verlag) 2000   Wake-Up Time with Takuji Kogo, (Aachen: Neuer Aachener Kunstverein)   ...it looked comical: each house had a chimney rising into the sky, but nothing next to it, (Geneva: Cabinet des Estampes.)   The Price Club: Selected Writings, 1977 - 1996, (Gevena and Dijon: JRP Editions and the Consortium) 1997   A Trail of Ambiguous Picture Postcards, (Kyoto and Kitakyushu: Korinsha Press and the Center for Contemporary Art, Kitakyushu) 1996   It was a beautiful day, in the seventies. I watched people on pogo sticks in the park., (Geneva and Karlsruhe: Cabinet des Estampes and Kunstbro, Museum fur Literatur am Oberrhein)     1995   "Art as Discourse," Sprechen ¸ber Kunst, (Oktagon Verlag, Stuttgart, compiled by Bernd G. Milla)     1986   The True Voice, Los Angeles: Storytellers, No. 1, (Foundation for Art Resources, edited by Benjamin Weissman)    excerpted in Ferro Botanica, No. 4 (1984): 59-70. 1982   Cave Canem, New York: Cave Canem Books    edited by Dan Walworth and John Miller. Contamination, New York: Cave Canem Books;    excerpts in Details (Grenoble Museum of Art, 1981), Barney, No. 3 (1983),   Real Life Magazine, No. 8: 22-24. 1981 Mixup (45 rpm record b/w Hi Sheriffs of Blue), New York: Tweet Records;    excerpts included in Tellus, No. 7 (audiocassette magazine) 1980   Text, New York: self-published. 1979   Cinematic Moments, New York: self-published.