Dirty Mirrors & The Cornichons: n.b.k. Konzert 84, USB drive, 29:44 minutes, neuer berliner kunstverein, Berlin

_Singles Collection_ (Robot – Takuji Kogo and John Miller) 12-inch vinyl record, 41:04 minutes, Small World Recordings, Los Angeles, Edition of 500


_The Cornichons_ (Aura Rosenberg, Servane Mary, Dan Walworth, Jose Martos, John Miller) 12-inch vinyl record, 19:47 minutes, Hassla, New York, Edition of 300


Reconstructing a Public Sphere, edited by Alex Kitnick, Koenig Books


Psychologie bibliologique, edited by Vincent Romagny, mfc-michèle didier


Mike Kelley: Educational Complex, London: Afterall Books, One Work

More Alive Than Those Who Made Them, Chicago, White Walls, Inc.


The Ruin of Exchange And Other Writings on Art, edited by Alexander Alberro, JRP-Ringier, Zurich and Les presses du réel, Dijon, 2013.


XXX Macarena: Performance, Kunsthalle Zürich, 28. August 2009 (Jutta Koether, John Miller and Tony Conrad), 12” vinyl record, 41:54 min., From the Nursery/Primary Information, New York 2010.


Selling Short: XXX Macarena (Jutta Koether and John Miller), Import series audio CD, MFC–Michèle Didier, Brussels and Les presses du réel, Dijon 2009.

Shooting Log, MFC–Michèle Didier, Brussels 2009.


Between Artists: Maria Eichhorn/John Miller, A.R.T. Press, NewYork 2008.


In Person: Robot, audio CD, North Drive Press, New York 2006.


“493 KB,” Next Level: if..., no. 7 (Edition 1, vol. 4) Bluesmodernist Ltd., London, 2005: pp. 112-115. (ill.)

Something for Everyone (video, 29:24 min. with Richard Hoeck), Hoeck–Miller–Riff Productions, Vienna 2005.


I’ve been listening to depressing music lately. Maybe because I’m depressed…, Cabinet des estampes, Geneva and Walther König Verlag, Cologne 2004.


Fatalism and Fun, Support Agentur, Berlin 2003.

“Traces of Corporeality in the Ramble,” (with Robert Nickas), Into the Abyss (Spring 2003), Powerhouse Books, New York pp. 20-25; republished in Bob Nickas, Theft Is Vision, JRP-Ringier & Les Presses du Réel, Zurich and Dijon, 2008, pp. 42-52.


When Down Is Up: Selected Writings, Revolver–Archiv für aktuelle Kunst, Frankfurt am Main 2001.


Wake-Up Time (with Takuji Kogo), Neuer Aachener Kunstverein, Aachen 2000.

...it looked comical: each house had a chimney rising into the sky, but nothing next to it, Cabinet des estampes, Geneva 2000.

The Price Club: Selected Writings, 1977–1996, JRP Editions, Geneva and Les presses du réel, Dijon 2000.


A Trail of Ambiguous Picture Postcards, Korinsha Press, Kyoto and the Center for Contemporary Art, Kitakyushu 1997.


It was a beautiful day, in the seventies. I watched people on pogo sticks in the park, Cabinet des estampes, Geneva and Kunstbüro, Museum für Literatur am Oberrhein, Karlsruhe 1996.


"Art as Discourse," Sprechen ¸ber Kunst,
(Oktagon Verlag, Stuttgart, compiled by Bernd G. Milla)


The True Voice, Benjamin Weissman (ed.), Storytellers, vol. 1, Foundation for Art Resources (F.A.R.), Los Angeles 1986; excerpted in Ferro Botanica, no. 4, Steel Garden Press, Hoboken 1984, p. 59–70.


Cave Canem, Dan Walworth and John Miller (eds.), Cave Canem Books, New York 1982.

Contamination, Cave Canem Books, New York 1982; excerpted in Details, Musée de Grenoble, Grenoble 1981, This was a self-published novella.

Real Life Magazine, New York, Spring–Summer 1982, p. 22–24 and Barney, Fred & Barney Press, no. 3, Los Angeles 1983, pp. 28-30.


Mixup, 45 rpm vinyl disc (face 1: Mixup, face 2: Hi Sheriffs of Blue), Tweet Records, New York 1981; excerpt face 1: Mixup included in Tellus, no. 7., audiocassette.


Text, self-published, New York 1980.